Combining personal narrative, interviews, and literary analysis, Fool elaborates the potential for fool figures from throughout literary history to reconfigure subject-object relations and point towards new possibilities in creative and critical thought. Drawing on Johanna Skibsrud’s experience in clown classes in France and the US, Fool challenges and extends the correlation Theodor Adorno suggests between thinking and clowning. It considers a diverse range of literary and theoretical sources from Richard Wagner’s Parsifal to Karen Barad’s Meeting the Universe Halfway. The book also refers to a varied cast of literary and historical clowns and fools, including the early Shakespearean actor Richard Tarlton, Alban Berg’s Wozzeck, and Cirque du Soleil’s Shannan Calcutt.

Skibsrud elaborates on the role of the ‘fool’ and ‘foolishness’ in literature, not as an element of a particular work’s content, plot, or style but instead as a creative mode of thought activated through the reading and writing of literary texts. This innovative book charts new ground in literature, philosophy, and performance studies, and is an invaluable resource for specialists in all three fields.

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Written over a period of more than a decade, The Nothing That Is is a collection about the very concept of “nothing,” approached from a variety of angles and in a variety of ways.

Addressing a broad range of topics and works by contemporary writers and artists, these essays seek to decentre our relationship to both the “givenness” of history and to a predictive or probable model of the future. They do so by drawing attention to the ways that poetic language activates the multiple, and as yet undesignated, possibilities replete within our every moment, and within every encounter between a speaking “I” and what exceeds subjectivity—a listening “Other,” be it community or the objective world.

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Trade Paper: 9781771665261